For the artist Fernand Leger (1881-1955), the promise of film as a new art form lay in its potential to exhibit the visual, to present an image rather than tell a story. This attribute characteristic of early cinema, a ’cinema of attractions’ (Tom Gunning), has been directly associated with avant-garde film in terms of visual exhibitionism as well as the construction of an audience that is both directly addressed and actively engaged.

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Production and Crew