Loop ended up being a film that also 'ended' Upside Down Feature (1967-72) and was a negative upside down portrait as well....in negative, the person moving, or blinking, or smiling, or not smiling, become gestures distanced whilst simultaneously apprehendable perceptually...a kind of conscious objectification of the subject and subjectification of the object, the abstract as the real, and at the same time a dissolution through repetition, no more an identifyable 'it' after all due to both the reification and no less dissolution through repetition...

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