The dead body remembers. The Tibetan book of the dead meets film noir. An elliptical narrative of adultery and corporate espionage set to a score by Morton Feldman and shot in high contrast B&W. There's a glimpse of Eternity in those deep, luminous blacks. The title film from my feature length series ENGRAM SEPALS (Melodramas 1994-2000) which traces a history of American intoxication from World War 2 to the 1970's.

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