Long before CGI became invisible '9600 Bauds' imagined a world where computers could dream. Through a succession of morphing faces, shifting landscapes and surreal digital transformations, Hervé Huitric and Monique Nahas turn primitive polygons into something strangely alive. Part technical demonstration, part avant-garde experiment, the film captures a moment when computer animation was still an unexplored frontier and every rendered image felt like a glimpse into the future.

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