Based on Dada artist Kurt Schwitters’ 1932 sound poem Ursonate, consisting entirely of a nonsense, invented language, Kentridge’s work is comprised of two film projections: one in which the artist emphatically gesticulates as he sounds the score accompanied by an opera singer and percussionist, while a constant flow of animated calligraphic images drawn by Kentridge are projected on the second screen.

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Production and Crew