Devoid of many things is Monika Blaszczak’s protagonist here in Matthias Von Braun’s 2021 masterpiece; Blaszczak performs an arresting rendition of a human physical vessel lacking and awaiting to get wired with its consciousness. Just as Neo got unplugged from The Matrix (1999) and spitted out into the machine world’s drainage system, Blaszczak eloquently emerges out of a similar post-apocalyptic oil orifice into existence for the first time, making her first movements a ballet-like choreography that soon gets glitched up by mechanical movements that override and corrupt her hardware system. - Adrian Perez

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