In the last years of the USSR, a graduate of a technical university and a researcher at the Research Institute of Chemical Physics, Leonid Katsis, began to actively engage in literary criticism, following only his own ideas about what to consider as an established fact. The appearance of such an uncompromising figure frightens, irritates some professional philologists, and those literary critics who, like Leonid Fridovich himself, came to the profession from technical fields.

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