A century later, Alain Jaubert rediscovered the exact location where Seurat prepared his painting, as well as the studio where he completed it. In March 1886, the eighth and final Impressionist exhibition took place. A 26-year-old unknown artist, Georges Seurat, exhibited a very large canvas there, A Sunday Afternoon on the Island of La Grande Jatte. A striking light—born of a long reflection on the origins of color perception—a multitude of tiny dots, a landscape treated in a classical manner yet populated with caricature-like figures: the painting caused a scandal. It would give rise to the Neo-Impressionists, or more commonly, “pointillists.” Above all, it would leave a lasting mark on later generations—Fauves, Cubists, and Futurists. Van Gogh himself was deeply influenced by the discovery of Seurat.

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