“A few days before the opening of Watermill Center, Robert Wilson is in a race against the clock. After a decades-long international stage career, he looks back at the special laboratory that was the Byrd Hoffman School of Byrds, the artistic community where he got his start, and decides to return to his roots. With his ever-growing coterie of supporters, he takes possession of a vacant building on Long Island to turn it into an art center. Filmmaker Pauline de Grunne captures Wilson’s relationship with this unique endeavor, while his friends, collaborators, and many of the artists he has worked with provide insight into the man and his project.” –INTERNATIONAL FESTIVAL OF FILMS ON ART

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