When James Pollard is given a terminal cancer diagnosis, he sets about orchestrating his own death. Like any good theatre producer, he researches options into different modes of burial, and the best means and methodologies of preserving his body after death. This may sound slightly morbid, but the practicality, and often surprising amounts of humour, with which James contends with his situation allows for an openness and freedom in dealing with death.

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Production and Crew