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Len Powers

AKA: Leonard S. Powers
Birthday: 1894-12-12
Died: 1965-01-25
Birthplace: Rodney, Iowa, USA


POWERS, LEN (Leonard Stephen Powers) Born December 12, 1892 (although he incorrectly gave 1894 on some documents), Rodney, Iowa. Len grew up in Grant, Iowa with his grocer father Charles, mother May, and siblings Charles, Hazel and Clara. He went to school in Portland, Oregon and for a time was a professional boxer. Powers began work as a cinematographer with Reliance in 1914. He shot Blue Blood and Red (1916) for Raoul Walsh at Fox, and Headin’ South (1918) for Douglas Fairbanks, directed by Allan Dwan; he also worked for Magnetic, Mack Sennett, and Hank Mann Comedies. His first film for Hal Roach was the Our Gang short Young Sherlocks (1922). He directed or co-directed 14 Dippy Doo-Dad shorts for Roach in 1923 and ’24, and because of his success with all-animal casts he was asked to film a rooster crowing for the official Pathé logo. After that, Powers was a cameraman exclusively for Roach through 1933, mostly working with Charley Chase. (He moonlighted as a gagman for Mack Sennett in 1927.) With Laurel and Hardy he worked on From Soup to Nuts, Habeas Corpus, Unaccustomed As We Are, Berth Marks, The Hoose-Gow, and The Music Box. He worked at Universal in the early ’40s and was camera operator on some Johnny Mack Brown Westerns toward the end of the decade. His last known credit was photographing stills for Around the World in Eighty Days (1956). Powers’ wife, the former Muriel Elizabeth Davey, died in November. 1945, but he was survived by their daughter Murlen. Died January25, 1965, Hollywood, California, age 72; of a heart attack.

Filmography

Slave Ship
Character: Crew Member (uncredited)

Lovey Dovey
Job: Director
Go West
Job: Director
The Cohens and Kellys in Trouble
Job: Director of Photography

Hollywood Burlesque
Job: Director of Photography
The Knockout
Job: Director
North of 50-50
Job: Director

Love's Reward
Job: Director
The Music Box
Job: Director of Photography
Unaccustomed as We Are
Job: Director of Photography

Sittin' Pretty
Job: Director of Photography
Should Husbands Be Watched?
Job: Director of Photography
Innocent Husbands
Job: Director of Photography

Be Your Age
Job: Director of Photography
The Way of All Pants
Job: Director of Photography
Arabian Tights
Job: Director of Photography

Wandering Papas
Job: Director of Photography
The Yellow Dog Catcher
Job: Camera Operator
Up and at 'Em
Job: Director

Be Honest
Job: Director
Bad Boy
Job: Director of Photography
The Honor System
Job: Director of Photography

Limousine Love
Job: Director of Photography
Wise Guys Prefer Brunettes
Job: Director of Photography
The Boy Friend
Job: Director of Photography

The Tabasco Kid
Job: Director of Photography
The Watch Dog
Job: Director
Headin' South
Job: Director of Photography

He Forgot to Remember
Job: Director
Bromo and Juliet
Job: Director of Photography
Crazy Like a Fox
Job: Director of Photography

Bear Shooters
Job: Director of Photography
You're Telling Me
Job: Director of Photography
Berth Marks
Job: Director of Photography

Say It with Babies
Job: Director of Photography
Plain and Fancy Girls
Job: Director of Photography
Stolen Goods
Job: Director of Photography

Doctor's Orders
Job: Cinematography
Along Came Auntie
Job: Director of Photography
Fighting Fathers
Job: Cinematography