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Ernie Gehr

Birthday: 1941-01-01


"Born in 1941, he began making eight-millimeter films in the mid-’60s. The precipitating event, he told the writer Scott MacDonald in a 2002-3 interview, was a program of Stan Brakhage films that Mr. Gehr caught in New York on a rainy night. The works excited him partly because in their abstraction and attention to color, texture and rhythm they were closer to his experience of 20th-century painting than of movies, and he continued to seek out more of the same. He eventually ended up at the Millennium Film Workshop and borrowing a light meter from the filmmaker Ken Jacobs (with whom Mr. Gehr shares an interest in early cinema). As he walked around New York reading light, as it were, Mr. Gehr discovered “the character of light” and learned about “cinema’s dependency on light.” (from NYTimes profile by Manohla Dargis.  Full piece here: http://www.nytimes.com/2011/11/13/movies/ernie-gehrs-films-traffic-in-images-and-light.html?_r=0)

Filmography

Huge Pupils
Character: Himself
A Portrait of Ernie Gehr
Character: Himself
Chambers of Time
Character: (Voice)

Side/Walk/Shuttle
Job: Director
Serene Velocity
Job: Director
Wait
Job: Director

Table
Job: Director
Auto-Collider XVIII
Job: Director
Auto-Collider XX
Job: Director

History
Job: Director
Still
Job: Director
Morning
Job: Director

Passage
Job: Director
New York Central
Job: Director

Eureka
Job: Director
Reverberation
Job: Director
Floating Particles
Job: Director

Undertow
Job: Director
Brewster, MA
Job: Director
Mirror of Dreams
Job: Director

Back in the Park
Job: Director
Untitled
Job: Camera Operator
Untitled
Job: Editor

Untitled
Job: Director
Transparency
Job: Director
ABRACADABRA
Job: Director

Departure
Job: Director
Crystal Palace
Job: Director
Mist
Job: Director

Rear Window
Job: Director
Hurry Up Henrietta
Job: Director

Carnival of Shadows
Job: Director
Field
Job: Director

Thank You for Visiting
Job: Director
Auto-Collider
Job: Writer
Field
Job: Writer

Auto-Collider
Job: Director
Lisa and Suzanne
Job: Director
Better than Ever
Job: Director

Bon Voyage
Job: Director
New York Lantern
Job: Director

Photographic Phantoms
Job: Director
Shift
Job: Director
Waterfront Follies
Job: Director

For the Birds
Job: Director
Precarious Garden
Job: Director
Auto-Collider XV
Job: Director

20 Little Films
Job: Director
What’s Up!
Job: Director
Lisbon Views
Job: Director

High-Wire Act
Job: Director
Carroll Gardens
Job: Director
Chambers of Time
Job: Director

Work in Progress
Job: Director
Delirium
Job: Director

Creatures of the Night
Job: Director
Medicine Cabinet
Job: Director

Pedestrian Activities
Job: Director
As If
Job: Director

Cotton Candy
Job: Director
Water Spell
Job: Thanks

Autumn
Job: Director
Picture Taking
Job: Director
Transport
Job: Director

Brooklyn Series
Job: Director
The Quiet Car
Job: Director
Essex Street Market
Job: Director

Mirage
Job: Director
Street Scenes
Job: Director
Surveillance
Job: Director

Behind the Scenes
Job: Director
This Side of Paradise
Job: Director
For Daniel
Job: Director

The Astronomer's Dream
Job: Director
Glider
Job: Director
Modern Navigation
Job: Director

Noon Time Activities
Job: Director
Greene Street
Job: Director

Flying Over Brooklyn
Job: Director

Before the Olympics
Job: Director
Construction Sight
Job: Director

Sunday in Paris
Job: Director
City
Job: Director
Shadow
Job: Director

The Collector
Job: Director
Winter Morning
Job: Director

By Rail, To Boston
Job: Director
South Station
Job: Director