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Hal Mohr

AKA: Harold Leon Mohr
Birthday: 1894-08-02
Died: 1974-05-10
Birthplace: San Francisco, California, USA


Hal Mohr, A.S.C. (August 2, 1894 in San Francisco – May 10, 1974 in Santa Monica, California) was a famed movie cinematographer. He is known for his Oscar-winning work on the 1935 film, A Midsummer Night's Dream. He was awarded another Oscar for his work on The Phantom of the Opera in 1943, and received a nomination for The Four Poster in 1952. From a young age, Hal Mohr wanted to pursue a career in cinematography because he was curious to learn about how to make pictures move onscreen. He worked as a photo finisher in a photo lab to gain experience with the camera. When he was 19 years old, he filmed his first movie, Pam's Daughter, which, unfortunately, was never seen by the public because of problems with the motion picture distribution company. Although Mohr mainly worked as a cinema portraitist on movies such as The Wedding March, A Midsummer Night's Dream, and the Technicolor The Phantom of the Opera, he was passionate about exploring the limits of the camera. Mohr shot in deep focus years before Gregg Toland -- Bullets or Ballots and The Green Pastures were both shot in deep focus. He was inspired by the moving shots in the Italian movie, Cabiria, and developed a camera with special tracking abilities for his 1914 film, Pan's Mountain. Notably, Mohr is the only person to have won a competitive Academy Award without being nominated for it. In 1936, a write-in campaign won him the Best Cinematography Oscar for his work on A Midsummer Night's Dream (1935). The Academy later changed the Oscar rules, making write-in voting impossible. In 1944, Mohr became the first person to win an Oscar for both Black-and-White and Color cinematography when he won his second Academy Award, this time with W. Howard Greene for Best Cinematography in a Color Film, for their work on The Phantom of the Opera (1943). Mohr was nominated for an Academy Award for Best Cinematographer for his work on The Four Poster (1952), a film based on a play of the same name, written by Jan de Hartog. He was also nominated for a Golden Globe for Best Cinematography in a Black and White Film, for his work on the same movie. Other film cinematographer credits include Little Annie Rooney (1925), The Big Gamble (1931), Cheers for Miss Bishop (1941), Another Part of the Forest (1948) and The Wild One (1953). Mohr served as president of the American Society of Cinematographers from 1930 to 1931. Then, for two terms from 1963 to 1965 and finally from 1969 to 1970. He was one of the first members of the Academy of Motion Picture Arts and Sciences, and a senior member of the Academy's Board of Directors. He headed the Academy's Cinematography Branch for over 20 years, and was also a part of the Academy of Television Arts and Sciences. Before his death, he would travel the country promoting cameramen and the industry of cinematography. For his many contributions to motion pictures and the film industry, Hal Mohr received a star on the Hollywood Walk of Fame located at 6433 Hollywood Blvd.

Filmography

I Met My Love Again
Character: College Student (uncredited)
The Man You Loved to Hate
Character: Self (archive audio)
The Jazz Singer
Job: Director of Photography

The Walking Dead
Job: Director of Photography
The Monster
Job: Director of Photography

Bullets or Ballots
Job: Director of Photography
Woman on the Run
Job: Director of Photography
Rancho Notorious
Job: Director of Photography

Baby Face Nelson
Job: Director of Photography
The Big Night
Job: Director of Photography
The Second Woman
Job: Director of Photography

The Big Gamble
Job: Director of Photography
Destry Rides Again
Job: Director of Photography
The Boss
Job: Director of Photography

The Lost Moment
Job: Director of Photography
Because of Him
Job: Director of Photography
Change of Heart
Job: Director of Photography

The Last Warning
Job: Director of Photography
The Last Performance
Job: Director of Photography
Another Part of the Forest
Job: Director of Photography

An Act of Murder
Job: Director of Photography
Enter Arsène Lupin
Job: Director of Photography
Phantom of the Opera
Job: Director of Photography

The Heart of Maryland
Job: Director of Photography
A Woman of Experience
Job: Director of Photography
Top Man
Job: Director of Photography

The Third Degree
Job: Director of Photography
Her Lucky Night
Job: Director of Photography
David Harum
Job: Director of Photography

Noah's Ark
Job: Director of Photography
Devotion
Job: Director of Photography
The Devil's in Love
Job: Director of Photography

Outward Bound
Job: Director of Photography
Underworld U.S.A.
Job: Director of Photography
I Loved You Wednesday
Job: Director of Photography

Back Door to Heaven
Job: Director of Photography
Rio
Job: Director of Photography
Tenderloin
Job: Director of Photography

The Warrior's Husband
Job: Director of Photography
Big Boy
Job: Director of Photography
Tess of the Storm Country
Job: Director of Photography

Old San Francisco
Job: Director of Photography
State Fair
Job: Director of Photography
Broadway
Job: Director of Photography

Glorious Betsy
Job: Director of Photography
Little Annie Rooney
Job: Director of Photography
I'll Be Yours
Job: Director of Photography

King of Jazz
Job: Director of Photography
The Green Pastures
Job: Director of Photography
Captain Blood
Job: Director of Photography

Watch on the Rhine
Job: Director of Photography
The Big Idea
Job: Director
The Big Idea
Job: Writer

The Big Idea
Job: Director of Photography
Song of Scheherazade
Job: Director of Photography
Servants' Entrance
Job: Director of Photography

When Love Is Young
Job: Director
The Creation of the Humanoids
Job: Director of Photography
A Woman Commands
Job: Director of Photography

A Midsummer Night's Dream
Job: Director of Photography
Week Ends Only
Job: Director of Photography
When the Daltons Rode
Job: Director of Photography

No Time at All
Job: Cinematography
The Climax
Job: Director of Photography
Salome, Where She Danced
Job: Director of Photography

I Met My Love Again
Job: Director of Photography
International Lady
Job: Director of Photography
The First Year
Job: Director of Photography

Ladies in Love
Job: Director of Photography
Day is Done
Job: Cinematography
The Four Poster
Job: Director of Photography

The Man from the Diners' Club
Job: Director of Photography
The Bamboo Saucer
Job: Director of Photography
Jack and the Beanstalk
Job: Director of Photography

The Member of the Wedding
Job: Director of Photography
The Lineup
Job: Director of Photography
The Wild One
Job: Director of Photography

The Last Voyage
Job: Director of Photography
The Gun Runners
Job: Director of Photography
Johnny Holiday
Job: Director of Photography

The Honeymoon
Job: Cinematography
Hot Cargo
Job: Director of Photography

Sparrows
Job: Director of Photography
The Marriage Clause
Job: Director of Photography
The Czar of Broadway
Job: Director of Photography

Bag and Baggage
Job: Director of Photography
Topaz
Job: Technical Advisor
Shanghai Lady
Job: Director of Photography

Lady with a Past
Job: Director of Photography
Pot o' Gold
Job: Director of Photography
Vanity's Price
Job: Cinematography

Invisible Diplomats
Job: Director of Photography
Lady in a Jam
Job: Director of Photography