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Sidney Gilliat

AKA: Sidney Gilliatt
Birthday: 1908-02-15
Died: 1994-05-31
Birthplace: Edgeley, Stockport, Cheshire, England, UK


From Wikipedia, the free encyclopedia Sidney Gilliat (15 February 1908 – 31 May 1994) was an English film director, producer and writer. He was born in the district of Edgeley in Stockport, Cheshire. In the 1930s he worked as a scriptwriter, most notably with Frank Launder on The Lady Vanishes (1938) for Alfred Hitchcock, and its sequel Night Train to Munich (1940), directed by Carol Reed. He and Launder made their directorial debut co-directing the home front drama Millions Like Us (1943). From 1945 he also worked as a producer, starting with The Rake's Progress, which he also wrote and directed. He and Launder made over 40 films together, founding their own production company Individual Pictures. While Launder concentrated on directing their comedies, most famously the four St Trinian's School films, Gilliat showed a preference for comedy-thrillers and dramas, including Green for Danger (1946), London Belongs to Me (1948) and State Secret (1950). He wrote the libretto for Malcolm Williamson's opera Our Man in Havana, based on the novel by Graham Greene. He had also worked on the film. He married Beryl Brewer in the early 30s. He had two children: Joanna Gilliat, who is a journalist and is married to Edward Russell, a pilot and Caroline Gilliat, who was an opera singer and teacher, who was married to Anthony Cave Brown (journalist). He had 3 grand children, Amanda Eliasch, Toby Brown and Camilla Horn. Description above from the Wikipedia article Sidney Gilliat, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Filmography

Korda: I Don't Grow on Trees: Part One
Character: Self - Interviewee
The Lady Vanishes
Job: Screenplay

Geordie
Job: Producer

Endless Night
Job: Director

Night Train to Munich
Job: Screenplay
Green for Danger
Job: Director

Green for Danger
Job: Screenplay
Ask a Policeman
Job: Story

Waterloo Road
Job: Director
Millions Like Us
Job: Director
Only Two Can Play
Job: Director

Seven Sinners
Job: Writer
Crook's Tour
Job: Characters

London Belongs to Me
Job: Director
Fortune Is a Woman
Job: Director
The Rake's Progress
Job: Director

They Came by Night
Job: Screenplay
The Blue Lagoon
Job: Producer

London Belongs to Me
Job: Screenplay

London Belongs to Me
Job: Producer
Fortune Is a Woman
Job: Screenplay
Left Right and Centre
Job: Director

Twelve Good Men
Job: Writer

Left Right and Centre
Job: Producer
Left Right and Centre
Job: Original Story
Left Right and Centre
Job: Screenplay

The Gaunt Stranger
Job: Screenplay
Strange Boarders
Job: Writer
Jamaica Inn
Job: Screenplay

Jamaica Inn
Job: Dialogue
A Yank at Oxford
Job: Story
Ooh...You Are Awful
Job: Executive Producer

Endless Night
Job: Screenplay
Endless Night
Job: Executive Producer
Falling for You
Job: Story

Fortune Is a Woman
Job: Producer
Bulldog Jack
Job: Screenplay

Kipps
Job: Screenplay
The Young Mr. Pitt
Job: Screenplay
The Green Man
Job: Theatre Play

The Green Man
Job: Producer
Take My Tip
Job: Screenplay
Girl in the News
Job: Screenplay

Lord Babs
Job: Writer
The Happy Ending
Job: Writer

The Ringer
Job: Additional Dialogue
Geordie
Job: Screenplay
Waterloo Road
Job: Writer

Folly to Be Wise
Job: Producer
The Rake's Progress
Job: Screenplay
The Rake's Progress
Job: Producer

Chu Chin Chow
Job: Screenplay
The Green Man
Job: Screenplay
Partners in Crime
Job: Director

The Constant Husband
Job: Producer
The Constant Husband
Job: Director
The Constant Husband
Job: Screenplay

State Secret
Job: Director
State Secret
Job: Producer
Millions Like Us
Job: Screenplay

State Secret
Job: Screenplay


I See a Dark Stranger
Job: Producer
Captain Boycott
Job: Producer
The Boys in Blue
Job: Original Story

Rome Express
Job: Screenplay
Partners in Crime
Job: Writer
Green for Danger
Job: Producer

The Ghost Train
Job: Writer