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Eugen Schüfftan

AKA: Eugene Shufftan
Birthday: 1893-07-21
Died: 1977-09-06
Birthplace: Breslau, Silesia, Germany [now Wroclaw, Dolnoslaskie, Poland]


From Wikipedia, the free encyclopedia Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques. Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.

Filmography

People on Sunday
Job: Director of Photography
The Hustler
Job: Director of Photography
Queen of Atlantis
Job: Director of Photography

The Scoundrel
Job: Director of Photography
The Scoundrel
Job: Director
Manon Lescaut
Job: Additional Photography

Eyes Without a Face
Job: Director of Photography
The Strange Woman
Job: Producer
It Happened Tomorrow
Job: Technical Supervisor

Bluebeard
Job: Director of Photography
Port of Shadows
Job: Director of Photography
Bluebeard
Job: Production Design

The Big Scare
Job: Director of Photography
The Bloody Brood
Job: Director of Photography
Forfaiture
Job: Director of Photography

High and Low
Job: Director of Photography
The Virgins
Job: Director of Photography
Popular Tune
Job: Director of Photography

A Couple
Job: Director of Photography
The Stolen Face
Job: Director of Photography
Into the Blue
Job: Director

The Doctor Speaks Out
Job: Director of Photography
I'd Rather Have Cod Liver Oil
Job: Director of Photography
The Emigrant
Job: Director of Photography

Women in the Night
Job: Set Decoration
Women in the Night
Job: Art Direction
Street of Shadows
Job: Director of Photography

Summer Storm
Job: Director of Photography
The Shanghai Drama
Job: Director of Photography
The Invader
Job: Director of Photography

The Trouble with Money
Job: Director of Photography
The Crimson Curtain
Job: Director of Photography
Yoshiwara
Job: Director of Photography

Una parigina a Roma
Job: Director of Photography
Chappaqua
Job: Camera Operator
Something Wild
Job: Director of Photography

Metropolis
Job: Visual Effects
Le Scandale
Job: Director of Photography
There's No Tomorrow
Job: Director of Photography

The Oil Sharks
Job: Director of Photography
A Scandal in Paris
Job: Production Supervisor
A Scandal in Paris
Job: Director of Photography

Napoleon
Job: Visual Effects Supervisor
Napoleon
Job: Special Effects
The Venus of Tivoli
Job: Director of Photography

Hitler's Madman
Job: Director of Photography
Gunman in the Streets
Job: Director of Photography
Farewell
Job: Director of Photography

Lilith
Job: Director of Photography
Three Rooms in Manhattan
Job: Director of Photography
Hatred
Job: Director of Photography

Bizarre, Bizarre
Job: Director of Photography
The Respectful Prostitute
Job: Director of Photography
Women in the Night
Job: Director of Photography

The Tender Enemy
Job: Director of Photography
Head Against the Wall
Job: Director of Photography
The Slump Is Over
Job: Director of Photography

Voice in the Wind
Job: Technical Advisor
María de la O
Job: Director of Photography
Ulysses
Job: Special Effects

The Mistress of Atlantis
Job: Director of Photography
Club Havana
Job: Director of Photography
The Dark Mirror
Job: Visual Effects

Unsichtbare Gegner
Job: Director of Photography
Mina de Vanghel
Job: Director of Photography
Les quatre vagabonds
Job: Cinematography

The First Night
Job: Director of Photography
Jagd auf dich
Job: Director of Photography
Giorgio Moroder's Metropolis
Job: Special Effects