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Karen Clarke



Karen Clarke is a visual effects producer at Industrial Light & Magic. Originally from London, Clarke studied Chemistry at the University of Kent in Canterbury. After graduation, she worked in plastics before hanging up her lab coat and moving into film. Starting as a runner in Soho in 2001, Clarke rose through the production ranks of various London animation studios. She worked on commercials, TV shows, and feature films before transitioning into visual effects when she joined Double Negative (DNEG) in 2006. During her tenure at DNEG, she helped establish the Vancouver branch, relocating from the United Kingdom to Canada. Clarke joined Industrial Light & Magic (ILM) in 2020, bringing her knowledge and experience of the visual effects industry from many different countries and studios. As part of the visual effects team for Warner Bros. on The Meg (2018), she worked on set in New Zealand before moving to Los Angeles for post-production. Since 2020, Clarke has been involved in several high-profile projects. She served as ILM's visual effects producer on The Electric State (2025) and Project Hail Mary (2026).

Filmography

Quantum of Solace
Job: Visual Effects Coordinator
The Electric State
Job: Visual Effects Producer
Project Hail Mary
Job: Visual Effects Producer

Good Night Oppy
Job: Visual Effects Producer
Thunder Force
Job: Visual Effects Producer
Extraction
Job: Visual Effects Producer

Doctor Sleep
Job: Visual Effects Producer
The Laundromat
Job: Visual Effects Producer
Fantastic Beasts and Where to Find Them
Job: Visual Effects Production Manager

Alice Through the Looking Glass
Job: Visual Effects Production Manager
The Best Exotic Marigold Hotel
Job: Visual Effects Producer
The Tree of Life
Job: Visual Effects Producer

Hellboy II: The Golden Army
Job: Visual Effects Coordinator