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Jean Rouch

AKA: 장 루슈
Birthday: 1917-05-31
Died: 2004-02-18
Birthplace: Paris, France


From Wikipedia, the free encyclopedia Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.

Filmography

Samba the Great
Character: Narrator
Son of Gascogne
Character: Self


The Dreamed Films
Character: Self

World Without a Game
Character: Himself
Rouch's Gang
Character: Self

Jean Epstein, Young Oceans of Cinema
Character: Self (archive footage)
Rouch in Reverse
Character: himself

Maya Deren, Take Zero
Character: Himself

The Mad Masters
Character: Narrator
Germaine chez elle
Character: himself

Chronicle of a Summer
Character: Self

My Conversations on Film
Character: Himself
Cinématon
Character: N°1256

The Lovely Month of May
Character: Self (uncredited)

Sodankylä Forever
Character: Self

Letter to Jean Rouch
Character: Himself