Jerzy Petersburski was a Jewish Polish pianist and composer of popular music, renowned mostly for his Tangos, some of which (such as To ostatnia niedziela, Już nigdy and Tango milonga / English and German versions: Oh, donna Clara) were milestones in popularization of the musical genre in Poland and are still widely known today, almost a century after their creation. Jerzy Petersburski was born on 20 April 1895 into the well-known Warsaw family of Jewish musicians, Melodysta family [pl] (on his mother's side). He graduated from the Warsaw Conservatory, where he was taught by professor Antoni Sygietyński. Having graduated, Petersburski moved to Vienna, where he continued his studies in conducting at the faculty of piano of the local Music Academy. A talented pianist, he was persuaded by his friend Imré Kálmán to devote himself to popular rather than classical music. In Vienna he also debuted as a composer for Alexander Vertinsky, a renowned Russian poet and songwriter, famous for his romances. Upon his return to Poland, with his cousin Artur Gold, he co-founded the Petersburski & Gold Orchestra, which performed at the fashionable nightspot Adria. He became well known for music for cabaret and theaters in Warsaw. Among them was Julian Tuwim's and Marian Hemar's Qui Pro Quo, one of the most famous Polish cabarets of the interbellum. In late 1920s and 1930s, Petersburski became one of the most popular Polish composers as several of his songs became hits on Polish Radio and in music theatres throughout the country. Apart from Marian Hemar, the list of lyricists for his songs included some of the most renowned of their times: Andrzej Włast, Emanuel Szlechter, Ludwik Szmaragd and Artur Tur. Also the performers of Petersburski's songs added to his popularity: Wera Bobrowska (Już nigdy), Hanka Ordonówna (Sam mi mówiłeś), Tola Mankiewiczówna (Ty, miłość i wiosna), Ludwik Sempoliński (Cała przyjemność), Chór Dana and Mieczysław Fogg (Bez śladu) and Adolf Dymsza (Ja i żonka ma).

Filmography